“When you first launch The Almost Gone, you are greeted with a screen that tells you that the game is best played with headphones — and it really is. Sound is an absolutely crucial part of the experience, hence the earlier comparison to Hellblade. Ominous and oppressive, the ambient noises and soundtrack will put you on edge as you try to solve puzzles to progress. In some scenes, for example, the low bass rumble doesn’t let up, filling you with anxiety and dread. The sound design also evokes the environments as you navigate. That low bass rumble? A particular favourite indoors, hammering home the environment’s claustrophobic nature.” (https://www.bonusstage.co.uk/2020/06/24/the-almost-gone-review/)